colonial-abroad

2.6 million historical images from 6 million library books uploaded to Flickr

harrietvane:

From the BBC:

An American academic is creating a searchable database of 12 million historical copyright-free images.

Kalev Leetaru has already uploaded 2.6 million pictures to Flickr, which are searchable thanks to tags that have been automatically added.

The photos and drawings are sourced from more than 600 million library book pages scanned in by the Internet Archive organisation.

The images have been difficult to access until now.

Mr Leetaru said digitisation projects had so far focused on words and ignored pictures.

"For all these years all the libraries have been digitising their books, but they have been putting them up as PDFs or text searchable works," he told the BBC.

"They have been focusing on the books as a collection of words. This inverts that."

Most of the images that are in the books are not in any of the art galleries of the world - the original copies have long ago been lost.”

The pictures range from 1500 to 1922, when copyright restrictions kick in.’

emilyhopebunny

emilyhopebunny:

kyrieanne:

misswendyd:

Gorgeous Puffin in Bloom editions illustrated by Anna Bond from Rifle Paper Company! Beautiful artwork on those endpapers and cover, plus special bonus materials at the end of each book. Including, of course, a recipe for raspberry cordial.

We’re giving away a complete set of four to one lucky person who completes our MG/YA classics challenge this year!

Photographs by The Midnight Garden.

::grabby hands::

WANT.

Ok. Publishers need to stop creating awesome editions of classic books. They are going to be the death of me.

colonial-abroad
Louisa May Alcott wrote Little Women for the money. And it made her miserable.

As a young writer, Alcott concentrated on lurid pulp stories of revenge, murder, and adultery–“blood and thunder” literature, as she called i–and enjoyed writing very much. She was in her mid 30s when an editor suggested she try writing a book for girls. Alcott wasn’t very interested, but her father was a complete moron with money and had left the family in terrible financial trouble. Alcott wrote Little Women in hopes of some decent sales and a little breathing room and got way more than she asked for. The money in sequels was too good to turn down (and her father didn’t get any smarter with a dime), but Alcott hated writing what she called “moral pap for the young” and longed to return to the smut and violence of her early endeavors.
itsnotliketherearehillshere

phototoartguy:

Puppy’s First Visit To The Beach Will Make All Other Dog Photos Out There Irrelevant

This little fella’s name is Champ. He’s a 9-week-old golden retriever that went to the beach for the first time in Hagar Township on Lake Michigan.

Photograher Patrick Holthof

colonial-abroad
[…] The Hour is a period television series predicated on the idea that the people who lived and breathed during the past were in fact people — that although the patriarchy had a profound effect on women it did not have the effect of entirely depersonalising them, of divesting them of their aspirations and their dreams, of divesting them of an internal life. The patriarchy did not and does not create women who care only about wallpaper and make-up; the patriarchy created (and creates) women whose only sphere of influence was over the appearance of their homes and their bodies, whose only modes of self-expression were the superficial, the ‘meaningless’.
In the fourth episode of the series Marnie argued with Hector about wallpaper not because she considers wallpaper so important in and of itself but for the same reason that armies will fight for years over a strip of land: because one concession leads to another — and she had already been forced to concede so much that wallpaper was all she had left to fight for.
Mary O’Donnell on The Hour (via bathcrone)